Why Steady Beat Matters + How to Assess It

A teacher engages her preschool class in mimicking drum taps to test steady beat competency.

You know that thing that makes you want to rock, sway, clap, or tap to the music? That’s steady beat—the ongoing, repetitive pulse that occurs in songs, chants, and rhymes. 

But it’s more than just an ideal skill for dance or instrument lessons—steady beat is a critical aspect of early childhood development that affects everything from walking, to reading, to dribbling a basketball.

Continue reading “Why Steady Beat Matters + How to Assess It”

Introducing: America the Musical, the Vook!

Drum roll, please!!  Kindermusik International is very excited to present our new Vook, America the Musical.

In partnership with Vook, makers of video-enhanced books for the web, iPhone, and iPad, Kindermusik International has created a music-and-video-enhanced, interactive version of our popular America the Musical book.  If you have an iPad, you just have to check this out – America the Musical. It’s tons of interactive fun and learning.  Read on for your sneak peek…

Who was Yankee Doodle anyway? Many of you have been singing these ballads by heart for years. Now you can get the real story behind songs like “Oh! Susannah and “This Land Is Your Land.” Take a musical journey through history and learn about the cultures, politics, and lifestyles of the people who settled America and inspired the famous lyrics.

You will delight in exploring the pages of this book through interactive touch. You”ll hear stories, listen to music, watch short, funny video clips about “Amazing Presidents,” and interact with historical figures like Paul Revere and Lewis and Clark who are brought to life through imaginative dialogue and entertaining character voices.

Penned in kid-friendly language and filled with odd, interesting facts sure to delight young listeners (one president had hippo bones and cow’s teeth in his mouth!), this interactive app is an unforgettable musical history lesson that brings ten decades of the American story to life with vivid characters, engaging and humorous dialogue, Monty-Python-style videos, and ten favorite American folk songs.

Click here to check it out now in the iTunes store! Available now for just $6.99. We hope you enjoy!

Meet a Kindermusik educator: Aimee Carter

Name:
Aimee Carter

Location:
Brandon, Florida

Studio name and link:
Delightful Sounds
www.delightfulsounds.com

Number of years you’ve taught Kindermusik:
7

Describe yourself in five words or less:
Creative, fun, energetic, and silly

Favorite Kindermusik song:
The Morning Song, because I like coming up with crazy animal sounds for the unexpected, animal choices like manatees or hippos.

Favorite Kindermusik activity, and why:
Anything with bilibos. I love all the ways we can play with them!

A proud moment in a Kindermusik classroom:
I love getting to see all the first steps and first words along with the parents. I get pretty excited about seeing the children grow and learn.

Something your Kindermusik children or families have taught you (could be inspirational, humorous, practical, etc.):
The children have really helped me become even more creative. They can really get outside of the box sometimes, and I LOVE that!

Something funny a child has said or done in your classroom:
The preschoolers crack me up. I never know what they will say or do next. Last week, one of the children stopped me in the middle of a song to ask “if I ever had fire come out of my butt?” LOL I never could figure out what it had to do with the train song???

The reason you teach:
I am passionate about music and the development of children. Kindermusik allows me to combine both of these as I work side by side with such wonderful families each week!

5 Aesthetic Awareness Activities for Kids

A young girl picks up leaves on a nature walk to build aesthetic awareness.

Aesthetic awareness, or the ability to observe, process, react to, and value nature and artistic expression, plays an important role in early development.

Our reactions to unusual sounds and sights can occur naturally, but grownups nurturing the listening skills, self-control (think: standing still to watch a hummingbird), and conversation it takes to really appreciate the beauty around us is critical for children.

Here are a few easy tips you can try…

Continue reading “5 Aesthetic Awareness Activities for Kids”

What do you hear?

Pitter, patter, pitter, patter… I can HEAR the rain.

Musically speaking, rain sounds are short sounds.  The musical term “staccato” refers to sounds that are separated and often short.  It’s the perfect word to use when playing with – and describing – rain sounds.  But did you know that being able to identify a sound as “short” (staccato) or “long” (legato) actually involves some pretty high-level thinking and listening skills?

Active listening differs from simple hearing in that we must choose it as an intentional act. Analytical listening, like the kind we will do in Kindermusik class when we explore different shaker sounds and mimic and identify a variety of rain sounds, takes the development of our music listening skills to a whole new level.

Analytical listening is an absolutely vital skill, for music class and for life because it requires children to:
– Evaluate what is heard and comprehended
– Contemplate and reflect
– Weigh new information against what is already known
– Discuss by sharing thoughts, opinions, and viewpoints

As Kindermusik teachers, it is an awesome privilege for us to be able to help shape a child’s disposition and aptitude for learning music – practicing the skills that lead to competency and enjoyment and encouraging the attitude that music is fun.  Music truly is a powerful tool for representing ideas and expressing individuality, especially when a child develops the ability to listen analytically.

In the Kindermusik classroom where so many of the senses are often engaged simultaneously and where imagination can soar, musical learning truly has the potential to be the strongest and most powerful.

Posted by Theresa Case, whose Kindermusik program at Piano Central Studios is proudly among the top 1% of programs worldwide.

Let’s jump for joy!

This article was originally written by Kindermusik educator Helen Peterson. Helen’s Kindermusik of the Valley program, located in and around the twin cities, MN, is one of the top programs in the world.

In a relatively recent study, 4 to 6 year old children in music and movement programs were tested to see how they compared to children enrolled in a traditional physical education program. The results were interesting, to say the least. The children getting music and movement instruction showed more growth in motor skills than those in a standard physical education program. Here’s a quote from Early Childhood Research Quarterly (Vol. 19, Issue #4, 2004):

“In a study 50 children were enrolled in a music and movement program, and 42 children were enrolled  in a traditional physical education program. After 8 weeks, the children in the music AND movement group had improved significantly in both jumping and dynamic balance skills when compared to their peers in the traditional program.”

As a Kindermusik educator, I have had many parents ask me how Kindermusik compares to Gymboree or Little Gym, now I can honestly say (as I suspected): movement + music (Kindermusik) really is the best choice.

Meet a Kindermusik educator: Pam Carmagnola

Name:
Pam Carmagnola

Location:
Crozet, VA (outside of Charlottesville, in the foothills of the beautiful Blue Ridge Mountains)

Studio name and link:
Kindermusik with Pam
www.kmusikwithpam.kindermusik.net

Number of years you’ve taught Kindermusik:
Eight

Describe yourself in five words or less:
Dedicated, child-centered, professional, enthusiastic

Favorite Kindermusik song:
“Giraffe and Zebra Move-Along,” from Zoo Train

Favorite Kindermusik activity, and why:
My current favorite activity is the circle dance from Zoo Train, to “Drover’s Dream.”  It’s got a great beat and is very adaptable to different movements.  Everyone loves to hear the unique sound of the didgeridoo!

A proud moment in a Kindermusik classroom:
After several years of classes, including Village and Our Time, a sweet preschooler now enrolled in ABC Music & Me is demonstrating his solid understanding of the concepts he has learned in Kindermusik.  Steady beat, pitch, tempo – you name it!  His good beginning truly will never end!

Something your Kindermusik children or families have taught you (could be inspirational, humorous, practical, etc.):
“Shiny stickers are special!”  “Hand sanitizer is cold!”  “An opened/flattened castanet makes a great pretend phone!”  And finally, “Kindermusik is a place where I am accepted and loved for who I am, just the way I am right now!”

Something funny a child has said or done in your classroom:
One of my favorite, most memorable moments occurred during vocal play when we were making doorbell ringing sounds.  “Ding, dong” said Abigail’s mom.  “Pizza’s here!” said two-year old Abigail!

The reason you teach:
I teach Kindermusik for many reasons.  The one closest to my heart is creating those special moments when parent and child really connect in class.  These days, precious time to focus solely on our children is rare.  It is a blessing to provide these opportunities for families in my community.

Meet a Kindermusik educator: Betsy Flanagan

Name:
Betsy Flanagan

Location:
Madison WI & Surrounding Communities

Studio name and link:
Musical Pathways Foundation
www.musicalpathways.net

Number of years you’ve taught Kindermusik:
7

Describe yourself in five words or less:
Passionate & Loving People Coach

Favorite Kindermusik song:
Skinnamarink

Favorite Kindermusik activity, and why:
Tants, Tants Yidelekh:   Accesses all 6 regions as we dance and laugh as a community, while children enjoy and learn the timbres and tonality while feeling the structure, beat and sequence of the dance for cognitive, emotional, physical and language fun!  It’s a BLAST!

A proud moment in a Kindermusik classroom:
A class had begun the semester disconnected, parents unengaged with their children, and at the end of the semester were completely engaged in scaffolded, joyful play with their children.  Tears of joy came right then and there as I stepped back and watched this beauty in action.

Something your Kindermusik children or families have taught you (could be inspirational, humorous, practical, etc.):
Love has many different faces and we need to engage in relationships verses assumptions.   I will never again assume that someone is not enjoying my class because of how they look, because when we originally participated in the Loyalty Surveys, I discovered that people could Love you and not appear or communicate as we might expect.    Now I form relationships with all my families.   My life is richer and there will be no surprises!

Something funny a child has said or done in your classroom:
Walked into the middle of the Hello circle in Our Time and proudly pulled down his pants to show us his new Batman Bigboy pants – got so excited he peed right there.  Precious!

The reason you teach:
To change the world, one child, one family at a time.

When you run out of words

This post was shared with Minds on Music from Kindermusik educator Analiisa Reichlin. 

I sat at the dining room table with my head in my arms and just sobbed. Our studio email accounts had disappeared, our website was being migrated from a very slow, old server to a new one, and the ½ hour project turned into a week-long nightmare, and the site was down during our busiest time of the year.

Our dog Buddy had been bitten or stung by something, and had gone into anaphylactic shock. In addition, after 3 years of deals falling through at the last moment, we were just about to put an offer in on a house. But that was before the unexpected expenses that wiped our savings out.

It was only 7:30am on Tuesday. And the week really didn’t get much better. I’m sure you’ve had weeks like that, too. But before this gets too depressing…

I found myself frequently bursting into song this week. And of all the odd things – hymns from my childhood. There was something comforting about them. I began wonder why.

I remember when I took my husband-to-be, Karl, to his first musical – Showboat. I grew up on musicals, and went to as many as I could when I lived in New York City. So I was totally dumbfounded when he turned to me shortly into the first act and said, “They just burst into song. Why did they do that?”

I’m thinking, “Well, it’s a musical.

Years later I asked [my Kindermusik partner] Miss Allison (with her degree in musical theater), why do they burst into song? And she said that the character has reached the point where the emotional intensity of the moment can no longer be conveyed with words.

So this week, when I ran out of words, I found myself singing. But why the hymns? Certainly because the words brought me comfort. But also because when I sang them, I was brought back to the time when I was young, surrounded by my family, in a moment when I felt very loved, and at peace. Where I needed to be emotionally this week.

I got to thinking…What songs did I sing to my babies, and now with my children? Because those are the songs that they are going to sing when they are grown up and need to remember the emotional security and comfort of those who loved them best.

-by Miss Analiisa, who knows that the math formulas she teaches her children may not be remembered when they are older, but the music and songs she instills in them will be in their memories forever.

Einstein and his violin

This article was written by Kindermusik educator Helen Peterson. Helen’s Kindermusik of the Valley program, located in and around the twin cities, MN, is one of the top programs in the world. Enjoy this little vignette!

A few years ago, Tucker and I took a quick trip to Washington D.C. and, like thousands of other tourists, I made him sit in Albert Einstein’s lap for a picture.

Albert Einstein’s schoolteachers told his parents that he was “stupid” and simply couldn’t learn. They urged his parents to take him out of school.

What did his parents do instead? They bought him a violin. It was a turning point.

In later years, Einstein would turn to his violin while trying to work out his scientific problems and formulae. Once, when asked about his theory of relativity, Einstein explained, “It occurred to me by intuition, and music was the driving force behind that intuition. My discovery was the result of musical perception.”