Musical variety is the spice of life

You’ve probably heard the old proverb: “Variety is the spice of life.” When it comes to music, musical variety is definitely the spice of life! When you expose your children to music from around the world, you expose them to different cultures, countries, ideas, and experiences, along with these developmental benefits:

Greater language proficiency
Just as you read a variety of books to expand your child’s vocabulary, exposure to a wide variety of music and sounds expands your child’s “ear vocabulary.” High quality musical recordings and real instruments help your child “fine tune” her ear to recognize and imitate the sounds that make up words and language.

Spatial awareness
When a child listens to music, her mind perceives the sound in multi-dimensional ways. The sound is loud or soft, fast or slow, it moves up and down, or left to right. Eventually, she’ll use that “awareness of space” to work with her body when she walks through the living room and tries not to hit the coffee table. Much later, this same awareness is necessary skill for learning how to get around things, jump, run, and move in zig-zag ways.

Temporal reasoning
You see this skill in action when a preschooler tells a story. He starts with his own experience and then moves to some imagined place with a princess or a superhero then goes back to something real again. Music does the same thing. It goes back and forth between established places (the chorus) and to new places that take you somewhere else (the verse). The ability to go back and forth from something established to something imagined comes from temporal reasoning, a skill used in music writing, storytelling, and problem solving.

Emotional intelligence
With exposure to a greater variety of musical styles-like jazz, folk, or classical, this increased exposure to music increases a child’s awareness, and understanding of different moods and emotions.

Cognitive skills
Research shows that music contributes to the development of a child’s ability to reason, his sense of patterning, and his memory skills.

Musical appetite
In the early years between newborn and age 7, your child is developing his musical taste buds as he learns to appreciate the finer things and to enjoy new musical tastes and textures. The wider the array of musical styles, the richer his “appetite” will be.

Try this at home… Your child is naturally musical. Hearing you sing and listening to recordings are like food for her musical appetite. Sing with child at least three times a day. Consider these song sessions musical breakfast, lunch, and dinner. (By the way, “lunch” can be interpreted loosely. Just plan the routine of singing together at a time that works for your schedule – when your child wakes up, in the car, doing dishes, at naptime, fixing supper, etc.!) Once you start, you will find that there is a song for everything. If you can’t remember what that song is, make one up!

Posted by Theresa Case whose Kindermusik program at Piano Central Studios is proudly among the top 1% of Kindermusik programs worldwide.

Ready? Set. Read!

Every parent knows how much children enjoy being read to: the excitement of new books and the comfort of those read over and over. Then there’s also all the great benefits they’re getting.

Reading to a child aids in language development. As a child hears language spoken to him, he internalizes the sounds, later using them in his own speech. Reading can open up new worlds and expand the mind. It can extend vocabulary and the understanding of things beyond everyday experience. Giving your child the opportunity to become familiar and comfortable with books is an important part of fostering a love of reading.

Reading together:

  • -Fosters reading enjoyment.
  • -Provides predictability through repetition.
  • -Introduces new vocabulary.
  • -Expands understanding of story structures.
  • -Promotes critical thinking.
  • -Encourages language play and creative expression.
  • -Provides cognitive stimulation.
  • -Builds early interest in literacy.

“Literacy is listening, learning, and quality of life. It is reading, writing, thinking, scribbling, drawing, and being motivated to find meaning. It is interpreting, inventing, associating, communicating, responding, sharing, and being able to set visions into action.” —The Storybook Journey, by S. McCord, p. 125.

There is a strong relationship between reading and music. Reading to children closely approximates the experience of singing or conversation. It provides another way to communicate through rhythm, reciprocity, tone, and language that is, after all, very much like music. That’s why pre-literacy development and exposure to books is an integral piece of each Kindermusik class.  Books stir the same responses in young children that music does.  Some books are exciting and encourage movement. Some inspire children to be thoughtful.  And some books soothe a child to sleep just like a lullaby.

Reading can help toddlers understand and process emotions and can teach healthy social behaviors. For children whose emotions are powerful but whose expressive language is still limited, books provide avenues for understanding the emotions they experience. Through hearing stories, toddlers and preschoolers can make sense of their own feelings.

Story Time:

  • -Exposes children to new words and new ways to communicate.
  • -Motivates children to think about things in different ways and even see things from another’s perspective.
  • -Provides opportunity for children to interact with each other.
  • -Can present positive social models and examples.
  • -When shared in the lap of a loving grownup can provide calm, relaxation, and promote bonding.

Reading together at home is so important. Kindermusik includes literature as another medium for communication between parents and children. During Story Time in our toddler and preschool classes (and even sometimes in the baby classes), watch as your teacher engages the children. Gather ideas to use to bring books alive for your child at home. Support and nurture literacy development during read-aloud experiences by building on your child’s comments about the text, posing challenging questions, suggesting alternative interpretations, encouraging personal reactions, drawing attention to letters, words, and illustrations, and engaging in discussions about the text.

At Home:

  • -Set aside a specific time to read with your child each day. This ritual will not only be soothing to your child but also to you.
  • -Visit your public library. Ask the children’s librarian what books she recommends for your child’s age, or look at some of the suggestions on our blog or in your Home Activity Guide.
  • -Look at your Kindermusik books with your child while listening to the read-aloud that is often included on the Home CD.
  • -Make reading interactive. Ask your child questions about the story and the pictures.

“The most important thing you can do to make your child a reader is to read aloud stories and poems—the more the better!” Read to Me: Raising Kids Who Love to Read, by Bernice E. Cullinan.

Special thanks to Kindermusik educator Joy Granade for sharing this post from her blog, Kindermusik with Joy. Information about Joy’s Kindermusik program in Kansas City, MO, can be found at her blog.

What do you hear?

Pitter, patter, pitter, patter… I can HEAR the rain.

Musically speaking, rain sounds are short sounds.  The musical term “staccato” refers to sounds that are separated and often short.  It’s the perfect word to use when playing with – and describing – rain sounds.  But did you know that being able to identify a sound as “short” (staccato) or “long” (legato) actually involves some pretty high-level thinking and listening skills?

Active listening differs from simple hearing in that we must choose it as an intentional act. Analytical listening, like the kind we will do in Kindermusik class when we explore different shaker sounds and mimic and identify a variety of rain sounds, takes the development of our music listening skills to a whole new level.

Analytical listening is an absolutely vital skill, for music class and for life because it requires children to:
– Evaluate what is heard and comprehended
– Contemplate and reflect
– Weigh new information against what is already known
– Discuss by sharing thoughts, opinions, and viewpoints

As Kindermusik teachers, it is an awesome privilege for us to be able to help shape a child’s disposition and aptitude for learning music – practicing the skills that lead to competency and enjoyment and encouraging the attitude that music is fun.  Music truly is a powerful tool for representing ideas and expressing individuality, especially when a child develops the ability to listen analytically.

In the Kindermusik classroom where so many of the senses are often engaged simultaneously and where imagination can soar, musical learning truly has the potential to be the strongest and most powerful.

Posted by Theresa Case, whose Kindermusik program at Piano Central Studios is proudly among the top 1% of programs worldwide.

Let’s jump for joy!

This article was originally written by Kindermusik educator Helen Peterson. Helen’s Kindermusik of the Valley program, located in and around the twin cities, MN, is one of the top programs in the world.

In a relatively recent study, 4 to 6 year old children in music and movement programs were tested to see how they compared to children enrolled in a traditional physical education program. The results were interesting, to say the least. The children getting music and movement instruction showed more growth in motor skills than those in a standard physical education program. Here’s a quote from Early Childhood Research Quarterly (Vol. 19, Issue #4, 2004):

“In a study 50 children were enrolled in a music and movement program, and 42 children were enrolled  in a traditional physical education program. After 8 weeks, the children in the music AND movement group had improved significantly in both jumping and dynamic balance skills when compared to their peers in the traditional program.”

As a Kindermusik educator, I have had many parents ask me how Kindermusik compares to Gymboree or Little Gym, now I can honestly say (as I suspected): movement + music (Kindermusik) really is the best choice.

Meet a Kindermusik educator: Pam Carmagnola

Name:
Pam Carmagnola

Location:
Crozet, VA (outside of Charlottesville, in the foothills of the beautiful Blue Ridge Mountains)

Studio name and link:
Kindermusik with Pam
www.kmusikwithpam.kindermusik.net

Number of years you’ve taught Kindermusik:
Eight

Describe yourself in five words or less:
Dedicated, child-centered, professional, enthusiastic

Favorite Kindermusik song:
“Giraffe and Zebra Move-Along,” from Zoo Train

Favorite Kindermusik activity, and why:
My current favorite activity is the circle dance from Zoo Train, to “Drover’s Dream.”  It’s got a great beat and is very adaptable to different movements.  Everyone loves to hear the unique sound of the didgeridoo!

A proud moment in a Kindermusik classroom:
After several years of classes, including Village and Our Time, a sweet preschooler now enrolled in ABC Music & Me is demonstrating his solid understanding of the concepts he has learned in Kindermusik.  Steady beat, pitch, tempo – you name it!  His good beginning truly will never end!

Something your Kindermusik children or families have taught you (could be inspirational, humorous, practical, etc.):
“Shiny stickers are special!”  “Hand sanitizer is cold!”  “An opened/flattened castanet makes a great pretend phone!”  And finally, “Kindermusik is a place where I am accepted and loved for who I am, just the way I am right now!”

Something funny a child has said or done in your classroom:
One of my favorite, most memorable moments occurred during vocal play when we were making doorbell ringing sounds.  “Ding, dong” said Abigail’s mom.  “Pizza’s here!” said two-year old Abigail!

The reason you teach:
I teach Kindermusik for many reasons.  The one closest to my heart is creating those special moments when parent and child really connect in class.  These days, precious time to focus solely on our children is rare.  It is a blessing to provide these opportunities for families in my community.

Good taste in books

Literacy begins early, with nothing more than simply spending time with a book. Even if your baby puts the book in her mouth while you read, she absorbs the sounds of your words, the action of you turning the page, and the pleasure you derive from reading.

The first time your little one points to a picture in a book, she’s understanding the concept of symbols – the idea that the words and pictures represent objects and ideas. A child’s motivation to learn about and use symbols grows as she realizes that this is how she can make her needs and thoughts known to others.

When it comes to choosing books, recent research shows that children who have been exposed to nursery rhymes and lyrical stories in their younger years become better readers and are more successful in school.

Here are some of our favorite tips for developing good taste in books.

Your baby: Spend time with your baby and an open book. Point to the pictures and talk about what you see. Even if your child doesn’t understand a single word, she’ll absorb your love of books and reading.

Your toddler: Now your child can start adding sound effects when you read together. Choose stories with animals so your toddler can imitate their sounds and movements.

Your preschooler: Your little one is now ready to make up his own stories. He can also use a favorite story as the basis for his own pretend play. Help your preschooler make his own book using a favorite song or family photos. Share this “published” work with the whole family!

Again, again!!

Again, again!!  There’s a reason why those are two of your child’s favorite words – repetition is the way your child learns best.  Repetition also provides children with a sense of security and predictability, setting the stage for optimal learning.  Kindermusik takes full advantage of a learning environment that capitalizes on the comfort of repetition, both in class and at home – especially through the Home Materials.

Childhood is all about learning.  And while it’s tempting to indulge in all the latest learning trends, videos, or technology, for a child, the single best learning tool is repetition.  Each time a child is exposed to a new object or experience, new neural connections are made in his brain. Through repetition, these connections are strengthened. Add a little twist to the repetition, like when we add a new verse to a song or a new prop in class, and these neural pathways strengthen and become super-highways of learning.

Repetition is not only good for your child’s brain; it’s highly beneficial for your child’s overall development.  Repetition helps your child learn and remember new information, thus giving her a boost of joyful self-confidence because she can predict what comes next.  Then there’s also the immense satisfaction of mastering something.  Repetition is the way that your child reminds himself of a newfound skill, and the way he experiences a great deal of pleasure through a sense of completion and mastery.  Parents can use this love of repetition to their advantage by establishing predictable routines and rituals in the morning or evening, thus helping their child feel secure and in control – something that’s very important to a small child!

Each Kindermusik curriculum from Village to Young Child is deliberately designed to repeat certain activities, in part because of this important connection between repetition and learning, but also because repetition of activities promotes bonding and nurtures a sense of community and belonging. With the Kindermusik experience, ritual and repetition are key components of a predictable and nurturing environment in which learning, bonding, and a love for music naturally and beautifully unfold.

Benefits of repetition in a nutshell:

  • >Repetition fuels your child’s memory, confidence, and motor skills.
  • >Repetition expands your child’s understanding of the world around him.
  • >Repetition contributes to your child’s intellectual development by reinforcing her understanding of the way the world works.
  • >Repetition spurs motor development.
  • >Repetition helps your child feel good about himself because it reminds him of what he can do.
  • >Repetition builds a sense of trust, helping a child develop healthy relationships with others.
  • >Repetition is one way your child can exert some control over his environment, which is extremely gratifying for someone with such limited control over her world.

Posted by Theresa Case, whose Kindermusik program at Piano Central Studios is proudly among the top 1% of programs worldwide.

11 Ways to REALLY Listen to Your Child

The follow post was shared with Minds on Music from Kindermusik educator Vanessa Cabrera’s Language, Music & More blog.

A few days ago I read this: “We were given two ears but only one mouth, because listening is twice as hard and important as talking.”

Well, it’s true! It made me think about how much children have lot to say… a lot! Sometimes adults don’t think that children have anything important to say or that they can’t learn from children. So often times the adult does all the talking. They lecture, preach, or, worst of all, ignore the child. Listening to your children will help them grow up to be adults with increased self-esteem because you made them feel that what they have to say is important.

That said, children are not always sure how to communicate their feelings, so they might say something or act completely different from how they actually feel. Active listening can help you to help them figure it out! Here are some tips to REALLY listen to your child:

1.    Stop what you are doing. Don’t be distracted doing something else.

2.    Look at your child. Sit at his/her level.

3.    Pay attention to your child’s nonverbal language. Does the child look happy, sad, afraid?

4.    Be silent. It might be hard, but it is important that they have time to express themselves. It will also give you time to understand the situation before reacting.

5.    Use simple acknowledgement responses that show you are listening. “I see.” “Oh.” “Uh-Huh.” or “Hmmm.”

6.    Use “door-openers”: phrases that encourage further talking. “Tell me more.” “What else?” “Go on.” “How do you feel about that?” “Then what?”

7.    Listen for and name the feelings you think you hear from what your child is telling you. “That made you pretty mad, didn’t it?” “You seem really happy about that!”

8.    Use problem-solving phrases when needed. “What do you wish you could do?” “What do you want to happen?” “What do you think will happen if you do that?”

9. Don’t feel that you must advise or help your child come up with a solution all the time. The value of listening is in the listening itself.

10.    Let them know you are available.

11.  Don’t try to deny, discount, or distract the child from the feelings they are expressing.

Listening helps parents and children avoid the power struggle cycle. Instead of arguing or disagreeing, listen. Show your understanding while maintaining your position. Listening builds stronger relationships,  shows respect, and helps the child explore his/her own feelings and thoughts on a deeper level. It builds their sense of empathy.

So, are you ready to listen to your child?

Special thanks to Kindermusik educator Vanessa Cabrera for sharing this post from her Language, Music & More blog. Information about Vanessa’s Maryland Kindermusik program can be found at her blog.

Meet Luke. You’ll be glad you did.

The following post was graciously shared with Minds on Music from Studio3Music. We all agree: it’s what Kindermusik is all about!

This arrived in my inbox the other day from one of our Kindermusik moms, Melissa. I read it, and by the middle of the email, I had tears streaming down my face. I have never had a story about one of our Kindermusik children touch me quite as much as Luke’s. Enjoy!

My child is special.  Yes, I know what you’re thinking, ‘your child is special too’, but my child is REALLY special.  Luke is a special needs child. In short, he was born with brain damage.  He has developmental, fine and gross motor, and significant speech delays.  One thing that Luke is not delayed in is his love for music!

We started Kindermusik with Luke when he was 2. As we sang during Luke’s first class his teacher, Beth, explained how holding the different sized egg shakers encouraged different motor skills.  I felt a pang of emotion shoot like lightening through me.  “This is perfect for Luke”.

We played with items with different textures, something Luke’s physical therapist had suggested just weeks earlier.  We drove cars on different body parts, played games, and of course sang and danced!  I knew right away that Kindermusik going to be great for Luke.

After that first class I buckled Luke in his car seat, drove about a quarter of a mile down the road and began to sob. I was (and am) SO thankful that Luke has this opportunity to nourish and support him in such a fun way.  I immediately turned my car around and went back to the Kindermusik class.

Miss Beth saw my tear stained eyes and gave me a big hug before I could even share anything with her.  Once I found some composure I briefly shared Luke’s condition with Beth and told her what her class means to us.  Here she is, just doing her job, like so many other Kindermusik teachers but she is actually helping to HEAL my child…and expand yours!

For most of Luke’s first round of Kindermusik he was typically just along for the ride.  He didn’t have the fine motor skills to play many of the instruments, his sensory issues made it difficult for him to transition from playing to being held quietly during cuddle time, he doesn’t have the ability to talk so singing along was out, he didn’t make any sounds at all for that matter, also, he couldn’t sit still for story or rolling a ball back and forth, and he didn’t mimic so he wasn’t quite developing thru watching either.  I pretty much held his hands, literally, throughout every exercise and activity, manually supporting his hands and fingers in participation.

Despite all this, Luke LOVED Kindermusik.  He began to get excited when we’d pull into the parking lot for Kindermusik, squealing, smiling, and kicking his legs in excitement!  Then one day, as we left class I put Luke in his car seat.  I sat my keys in his lap while I buckled him in and he took my keys, put them between his legs, and put his arms up and out to his sides.  Luke was mimicking!  Luke was trying to play!  Luke was thinking in his sweet little brain:

Jingle, jingle, jingle, go the car keys.
Jingle, jingle, jingle, go the keys.
Lost them, lost them, where are the car keys?

I couldn’t wait to tell Miss Beth…and everyone else for that matter!

Luke is now three and in his second week of his second round of Kindermusik.  Now Luke zips around the room yipping and squealing.  He had class this morning and did 6, count them 6, new things in those precious 45 minutes.

First, Luke attempted hammering his rhythm sticks!  He switched his grip around until he was able to hit the top of one stick with the other like he was hammering in a nail.  No hand-over-hand, he just did it!  He knew he did it too!  He made sure I saw him and I could see the pride in his smile.  I felt that lightening bolt of emotion shoot through me again.

Next, he noticed that I had put the top of the tone bar back on upside down.  Noticing this is huge. Next, he tried to problem solve by turning the bar over.  Of course his logic was flawed, but for a little boy without a frontal lobe, attempting to problem solve is huge!

NEXT, Luke allowed me to hold, embrace, and rock him during the cuddle part of class!  I think he even enjoyed it!  After this we played with balls.  Luke still couldn’t sit still or roll the ball but he did something unexpected, he caught the ball, a few times!!!  I’ve never seen him do this before and, since he has an older brother, balls are big things in our house!

Also during ball time, he saw a classmate sitting on her ball and bouncing on it…what did Luke do?  He mimicked!  He put that ball under his little tush and tried to sit on it!  He couldn’t balance well enough to do it but he tried…I almost cried!

Lastly, when class was over, Luke “eagerly awaited” his hand stamp.  His version of eager waiting is standing up an inch from where I’m sitting and pointing with a limp wrist at Miss Beth stamping the other kids.  I escorted him up front and he got his stamp.  That’s not new, what is new is what happened next:  he pulled up his shirt up, along with the sensory leotard top he wears, stuck out his belly, and gently patted his stomach.  HE wanted to have his tummy stamped like some of the other kids and, in his own way, he TOLD me this!  Talk about leaps and bounds!

Another thing we’ve noticed since starting Kindermusik is that if Luke is “playing” a musical instrument with his hands he may, on rare occasion, vocalize. In a sweet, soft, broken, purposeful whisper we’ve heard him sing:  “ahhhhhhh”,  “oooooooooh”, and “ooouuuuuuu”.  He is always the first to notice that music is playing: in the car, at the mall, on a commercial, anywhere.  He is drawn to it.

If Kindermusik can have such an impact on my special needs child, just imagine what it is doing for your child!

If you ever get the chance to meet Luke you will know immediately that he’s special. You may not even notice that he is handicapped because you’ll be so mesmerized by his hugely gregarious smile and his eyes shooting darts of love at you more accurately than one of Cupid’s arrow.

-posted by Melissa, Momma to Luke, who says that there is indeed something special about Luke, and her family is SO thankful that he has the musical therapy of Kindermusik harmonizing with them to help heal him.

Special thanks to Studio 3 Music for allowing us to share this great post from the Studio 3 Music blog. Studio 3 Music in Seattle, Washington, the world’s largest Kindermusik program.

Meet a Kindermusik educator: Betsy Flanagan

Name:
Betsy Flanagan

Location:
Madison WI & Surrounding Communities

Studio name and link:
Musical Pathways Foundation
www.musicalpathways.net

Number of years you’ve taught Kindermusik:
7

Describe yourself in five words or less:
Passionate & Loving People Coach

Favorite Kindermusik song:
Skinnamarink

Favorite Kindermusik activity, and why:
Tants, Tants Yidelekh:   Accesses all 6 regions as we dance and laugh as a community, while children enjoy and learn the timbres and tonality while feeling the structure, beat and sequence of the dance for cognitive, emotional, physical and language fun!  It’s a BLAST!

A proud moment in a Kindermusik classroom:
A class had begun the semester disconnected, parents unengaged with their children, and at the end of the semester were completely engaged in scaffolded, joyful play with their children.  Tears of joy came right then and there as I stepped back and watched this beauty in action.

Something your Kindermusik children or families have taught you (could be inspirational, humorous, practical, etc.):
Love has many different faces and we need to engage in relationships verses assumptions.   I will never again assume that someone is not enjoying my class because of how they look, because when we originally participated in the Loyalty Surveys, I discovered that people could Love you and not appear or communicate as we might expect.    Now I form relationships with all my families.   My life is richer and there will be no surprises!

Something funny a child has said or done in your classroom:
Walked into the middle of the Hello circle in Our Time and proudly pulled down his pants to show us his new Batman Bigboy pants – got so excited he peed right there.  Precious!

The reason you teach:
To change the world, one child, one family at a time.